![]() The final artwork is a digital file containing all the data necessary for the print. ![]() Photographs, drawings and found objects can be scanned and used as the basis for the image. In digital print, the artist begins by creating or manipulating images using drawing, painting or photographic computer software. It cannot be a copy of another artwork, such as a painting, drawing or other original print, as this would define it as a reproduction. Amongst other things, digital technologies have inspired new ways of making prints, but debates regarding the definition of an ‘original’ digital print are ongoing.Ī digital print is currently considered an original print if the image was created with the sole purpose of being made as a print, in multiples. Since the 1990s, artists have experimented digital technology. The frame is then laid flat against paper or fabric and ink is forced through the mesh using a ‘squeegee’ (a rubber blade).Ī multicoloured image is built up using subsequent layers, and each area of colour must be printed separately using a different screen, meaning the more colours there are in a screenprint, the more complex the process. The uncovered emulsion will harden due to light exposure, and then the liquid emulsion protected by the cut-out is washed off, creating a stencil. The image or shape, either as a cut-out or as a shape printed on a transparent sheet, is placed on top. ![]() In screenprinting, fabric is stretched tightly onto a wooden frame and then covered with a light-sensitive emulsion. Currently, the use of synthetic materials such as polyester is more common. It is a form of stencil printing, achieved by forcing ink through a fine mesh material, traditionally silk, which is why it is sometimes referred to as ‘silkscreen printing’. Popularised in the 1960s by Pop Artists Andy Warhol and Roy Lichtenstein, screenprinting is associated with bold, graphic images and a smooth finish.
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